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William Kapell (September 20, 1922October 29, 1953) was an American pianist and recording artist, killed at the age of 31 in the crash of a commercial airliner returning from a concert tour in Australia. ==Biography== William Kapell was born in New York City on September 20, 1922, and grew up in the eastside neighborhood of Yorkville, Manhattan, where his parents owned a Lexington Avenue bookstore.〔Downes (2013), p. 15〕 His father was of Spanish-Russian ancestry and his mother of Polish descent. 〔(William Kapell ) at Naxos.com〕〔Tim Page, ("William Kapell's Piano Benchmark" ), ''Washington Post'', September 27, 1998 (at williamkapell.com).〕 Dorothea Anderson La Follette (the wife of Chester La Follette) met Kapell at the Third Street Music School and became his teacher giving him lessons several times a week at her studio on West 64th Street.〔Downes (2013), p. 18〕 Kapell later studied with pianist Olga Samaroff, former wife of conductor Leopold Stokowski, at the Juilliard School. Kapell won his first competition at the age of ten and received as a prize a turkey dinner with the pianist José Iturbi. In 1941, he won the Philadelphia Orchestra's youth competition as well as the prestigious Naumburg Award. The following year, the Walter W. Naumburg Foundation sponsored the 19-year-old pianist's New York début, a recital which won him the Town Hall Award for the year's outstanding concert by a musician under 30. He was immediately signed to an exclusive recording contract with RCA Victor.〔 Kapell achieved fame while in his early twenties, in part as a result of his performances of Aram Khachaturian's Piano Concerto No. 1 in D-flat. His 1946 world premiere recording of the piece with Serge Koussevitzky and the Boston Symphony Orchestra was a sell-out hit.〔(William Kapell Edition Vol 4 – Khachaturian, Prokofiev—Notes & Reviews ) at ArkivMusic.com〕 Eventually, he became so associated with the work that he was referred to in some circles as "Khachaturian Kapell." Besides his exciting pianism and stupendous technical gifts, Kapell's good looks and mop of unruly black hair helped make him a hit with the public.〔 By the late 1940s, Kapell had toured the United States, Canada, Europe and Australia to immense acclaim and was widely considered the most brilliant and audacious of his generation of young American pianists. On May 18, 1948, he married Rebecca Anna Lou Melson, with whom he had two children. She was a fine pianist herself, having been a student of Sergei Tarnowsky, the teacher of Vladimir Horowitz. Early on, there was a tendency to typecast Kapell as a performer of flashy repertoire. While his technique was exceptional, he was a deep and versatile musician, and was memorably impatient with what he considered shallow or sloppy music making. His own repertoire was very diverse, encompassing works from J. S. Bach to Aaron Copland, who so admired Kapell's performances of his Piano Sonata that he was writing a new work for him at the time of the pianist's death. Kapell practiced up to eight hours a day, keeping track of his sessions with a notebook and clock. He also set aside time from his busy concert schedule to work with the musicians he most admired, including Artur Schnabel, Pablo Casals, and Rudolf Serkin. Kapell also approached Arthur Rubinstein and Vladimir Horowitz (whose East 94th Street townhouse was diagonally across the street from the Kapells' apartment) for lessons, but they demurred. Horowitz later commented that there was nothing he could have taught Kapell. From August to October 1953, Kapell toured Australia, playing 37 concerts in 14 weeks, appearing in Sydney, Brisbane, Melbourne, Bendigo, Shepparton, Albury, Horsham and finally in Geelong. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「William Kapell」の詳細全文を読む スポンサード リンク
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